Browse ceramic glazes whose listed firing guidance includes Cone 6. Compare finishes and colors, then check each product to match its application and firing needs to your studio process.
Matt gives the Studio Line palette a quiet, contemporary surface that lets the form and texture of a piece stay visible. F504 Dark Green - Matt Glaze can support independent artists, pottery studios, and ceramic businesses working on one-off pieces or repeatable collections. Pair Matt with Bright for contrast or a satin result; combining it with Vibes can introduce a reactive surface change. At the upper end of the stated range, the Matt surface may read more satin.
Application
Stir well. Apply with a brush, sponge, or stamp in 2-3 coats, allowing each coat to dry before the next. Keep notes on clay body, coat thickness, combinations, and firing when developing a repeatable studio test.
Firing and testing
Supplier guidance lists 1180-1280 degrees C, Cone 4-9. Test F504 Dark Green - Matt Glaze on your clay body before production, including the temperature you intend to use.
Matt gives the Studio Line palette a quiet, contemporary surface that lets the form and texture of a piece stay visible. F505 Lime Green - Matt Glaze can support independent artists, pottery studios, and ceramic businesses working on one-off pieces or repeatable collections. Pair Matt with Bright for contrast or a satin result; combining it with Vibes can introduce a reactive surface change. At the upper end of the stated range, the Matt surface may read more satin.
Application
Stir well. Apply with a brush, sponge, or stamp in 2-3 coats, allowing each coat to dry before the next. Keep notes on clay body, coat thickness, combinations, and firing when developing a repeatable studio test.
Firing and testing
Supplier guidance lists 1180-1280 degrees C, Cone 4-9. Test F505 Lime Green - Matt Glaze on your clay body before production, including the temperature you intend to use.
Matt gives the Studio Line palette a quiet, contemporary surface that lets the form and texture of a piece stay visible. F506 Turquoise - Matt Glaze can support independent artists, pottery studios, and ceramic businesses working on one-off pieces or repeatable collections. Pair Matt with Bright for contrast or a satin result; combining it with Vibes can introduce a reactive surface change. At the upper end of the stated range, the Matt surface may read more satin.
Application
Stir well. Apply with a brush, sponge, or stamp in 2-3 coats, allowing each coat to dry before the next. Keep notes on clay body, coat thickness, combinations, and firing when developing a repeatable studio test.
Firing and testing
Supplier guidance lists 1180-1280 degrees C, Cone 4-9. Test F506 Turquoise - Matt Glaze on your clay body before production, including the temperature you intend to use.
Matt gives the Studio Line palette a quiet, contemporary surface that lets the form and texture of a piece stay visible. F507 Dark Blue - Matt Glaze can support independent artists, pottery studios, and ceramic businesses working on one-off pieces or repeatable collections. Pair Matt with Bright for contrast or a satin result; combining it with Vibes can introduce a reactive surface change. At the upper end of the stated range, the Matt surface may read more satin.
Application
Stir well. Apply with a brush, sponge, or stamp in 2-3 coats, allowing each coat to dry before the next. Keep notes on clay body, coat thickness, combinations, and firing when developing a repeatable studio test.
Firing and testing
Supplier guidance lists 1180-1280 degrees C, Cone 4-9. Test F507 Dark Blue - Matt Glaze on your clay body before production, including the temperature you intend to use.
Matt gives the Studio Line palette a quiet, contemporary surface that lets the form and texture of a piece stay visible. F508 Yellow - Matt Glaze can support independent artists, pottery studios, and ceramic businesses working on one-off pieces or repeatable collections. Pair Matt with Bright for contrast or a satin result; combining it with Vibes can introduce a reactive surface change. At the upper end of the stated range, the Matt surface may read more satin.
Application
Stir well. Apply with a brush, sponge, or stamp in 2-3 coats, allowing each coat to dry before the next. Keep notes on clay body, coat thickness, combinations, and firing when developing a repeatable studio test.
Firing and testing
Supplier guidance lists 1180-1280 degrees C, Cone 4-9. Test F508 Yellow - Matt Glaze on your clay body before production, including the temperature you intend to use.
Matt gives the Studio Line palette a quiet, contemporary surface that lets the form and texture of a piece stay visible. F509 Orange - Matt Glaze can support independent artists, pottery studios, and ceramic businesses working on one-off pieces or repeatable collections. Pair Matt with Bright for contrast or a satin result; combining it with Vibes can introduce a reactive surface change. At the upper end of the stated range, the Matt surface may read more satin.
Application
Stir well. Apply with a brush, sponge, or stamp in 2-3 coats, allowing each coat to dry before the next. Keep notes on clay body, coat thickness, combinations, and firing when developing a repeatable studio test.
Firing and testing
Supplier guidance lists 1180-1280 degrees C, Cone 4-9. Test F509 Orange - Matt Glaze on your clay body before production, including the temperature you intend to use.
Matt gives the Studio Line palette a quiet, contemporary surface that lets the form and texture of a piece stay visible. F510 Red - Matt Glaze can support independent artists, pottery studios, and ceramic businesses working on one-off pieces or repeatable collections. Pair Matt with Bright for contrast or a satin result; combining it with Vibes can introduce a reactive surface change. At the upper end of the stated range, the Matt surface may read more satin.
Application
Stir well. Apply with a brush, sponge, or stamp in 2-3 coats, allowing each coat to dry before the next. Keep notes on clay body, coat thickness, combinations, and firing when developing a repeatable studio test.
Firing and testing
Supplier guidance lists 1180-1280 degrees C, Cone 4-9. Test F510 Red - Matt Glaze on your clay body before production, including the temperature you intend to use.
Matt gives the Studio Line palette a quiet, contemporary surface that lets the form and texture of a piece stay visible. F511 Brown - Matt Glaze can support independent artists, pottery studios, and ceramic businesses working on one-off pieces or repeatable collections. Pair Matt with Bright for contrast or a satin result; combining it with Vibes can introduce a reactive surface change. At the upper end of the stated range, the Matt surface may read more satin.
Application
Stir well. Apply with a brush, sponge, or stamp in 2-3 coats, allowing each coat to dry before the next. Keep notes on clay body, coat thickness, combinations, and firing when developing a repeatable studio test.
Firing and testing
Supplier guidance lists 1180-1280 degrees C, Cone 4-9. Test F511 Brown - Matt Glaze on your clay body before production, including the temperature you intend to use.
Matt gives the Studio Line palette a quiet, contemporary surface that lets the form and texture of a piece stay visible. F512 Pink - Matt Glaze can support independent artists, pottery studios, and ceramic businesses working on one-off pieces or repeatable collections. Pair Matt with Bright for contrast or a satin result; combining it with Vibes can introduce a reactive surface change. At the upper end of the stated range, the Matt surface may read more satin.
Application
Stir well. Apply with a brush, sponge, or stamp in 2-3 coats, allowing each coat to dry before the next. Keep notes on clay body, coat thickness, combinations, and firing when developing a repeatable studio test.
Firing and testing
Supplier guidance lists 1180-1280 degrees C, Cone 4-9. Test F512 Pink - Matt Glaze on your clay body before production, including the temperature you intend to use.
Celadon is a translucent glossy Studio Line collection that shows more variation where glaze gathers on carved or textured surfaces. Recessed areas may develop richer color or gloss, while raised areas can stay lighter, helping form and texture read clearly. F401 White - Celadon Glaze is suited to independent artists, pottery studios, and ceramic businesses making one-off work or repeatable collections. It can be combined with Matt for a satin effect, or used with Vibes as a top coat for a reactive surface change.
Application
Stir well. Apply with a brush, sponge, or stamp in 2-3 coats, letting each coat dry before the next. Test on a textured sample as well as a flatter form so you can compare pooling.
Firing and testing
Supplier guidance lists 1180-1280 degrees C, Cone 4-9. Test F401 White - Celadon Glaze on your clay body and record coat thickness, texture, and firing conditions before production.
Cone 6 is a starting point for comparison
This group brings together glazes with supplier firing guidance that includes Cone 6. They do not all produce the same surface or require the same schedule. A matte, transparent or crystalline glaze may need different application and firing choices even when grouped at the same cone.
Check more than the target temperature
Read each product's notes for recommended coats, soaking guidance and glaze movement. Heatwork depends on time as well as temperature; test on the clay body and kiln schedule you intend to use.
